The Princeton Recording Amp offers all of the great tone and dynamics of the original, plus several modern studio-friendly features. Its all-tube preamp, power amp and reverb circuitry is based on the classic '65 Princeton Reverb, and, with 20W and a 10" Jensen speaker, it provides spanking vintage tone and enough output for small gigs and rehearsals. The trans-impedance power attenuator lets you crank up the amp for full output tube overdrive and set the speaker volume as low as you want (even silent for headphone use)! Other features include 2 classic onboard "stomp box" effects (overdrive and compression), genuine tube-driven Fender spring reverb by Accutronics, headphone output, speaker emulated line output with level control and ground lift, speaker output jack (internal speaker may... Less

Effectrode Firebottle The Effectrode Firebottle is a an extremely compact, tough little boost pedal with a warm and musical personality. It's essentially a vintage tube ampflier input stage in a pedal and can be used as a clean boost on lower gain settings or, when running at full-tilt, push your tube amp into beautiful overdrive. It can add some grit and growl to thicken and warm up your tone without loosing definition and clarity. Effectrode Firebottle The Effectrode Firebottle is specially designed to work with magnetic guitar pickups and is based on a new NOS (new old stock) subminature 6112 vacuum tube. The 6112 operates as a vintage Fender tube amp input stage at true tube amplifier plate voltages for stacks of head-room and a low noise floor ensuring fantastic dynamic range. Like... Less

Up For Sale is a New Pigtronix Philosopher King Compressor and Sustainer Guitar Effects Pedal The Pigtronix Philosopher King is a compressor, sustainer, distortion and polyphonic amplitude synthesizer. Combining Pigtronix's award-winning Philosopher's Tone circuit with a next generation envelope generator, the Philosopher King takes tone several steps further with a full set of ADSR (Attack/Decay/Sus tain/Release) controls including swell, fade, hold level, speed range, one-shot mode, selectable auto reset, CV i/o and expression pedals for swell and fade times. With the Swell and Fade functions switched off, the Philosopher King provides transparent optical compression with endless sustain on tap. Adjustable compression (ratio), sustain (threshold) and treble (2k cut / boost) controls... Less

Empress Multidrive All new from our friends at Empress Effects is the Multidrive. The Empress Multidrive is much more than just another dirt box. This pedal is the perfect toolbox for the serious player both in the studio and on the stage. Utilizing a classic 2 channel overdrive pedal format, the Empress Multidrive features three different types of drive effect; fuzz, overdrive, and distortion. These circuits are run in parallel with their outputs blended together to yield that massive sound that only multiple amplifiers can give. A perfect example is in the studio, layering guitar tracks through different amplifiers and blending the results together in mix down for a massive tone. The Multidrive does this and more with both an A and B setting that is footswitchable for that dual channel... Less

Maria Taylor keeps things loose and casual on her fourth solo record, combining the lush, midtempo ballads that have always been her bread and butter with a handful of pop songs and folksy Americana tunes. The slower numbers are as gorgeous as ever, with tracks like "Idle Mind" floating Taylor's brittle voice over knotted layers of lap steel, flute, and acoustic guitar arpeggios. But Overlook really hits its stride whenever the tempo picks up. "Matador" and "In a Bad Way" are sexy, slinky highlights, owing more to blues-rock and vintage pop music than the `90s alt-rock scene that launched her career. "Like It Does," an organ-filled ballad for hot, lazy Southern nights, returns Taylor to her southern roots, and "Bad Idea" even finds her trying her hand at old-timey music. Recorded during a... Less

Eventide ModFactor Modulation Effect Pedal NEW Eventide ModFactor Modulation Pedal The Eventide Modfactor features 10 modulation effects available in mono or stereo, including Phaser, Flanger, Chorus, Polymod, TremoloPan, Undulator, Vibrato, Q-Wah, ModFilter and RingMod. With studio quality sound and extremely flexible control options, you may never need another modulation effects pedal. 10 knobs provide instant real-time control of all the most commonly adjusted parameters, and optional controls via MIDI or expression pedal keep the full power of the Modfactor within easy reach. Tap Tempo and MIDI clock sync blend effects seamlessly into any song, and 27 user presets (unlimited presets through MIDI) make it unnecessary to make notes and drawings to find that perfect setup every time... Less

Leo Scala Guitars Dorian White Guitar CONSTRUCTION: Long tenon set neck joint 24 3/4" Scale lenght (628.65mm) 7 pounds +- 0.5 pounds average weight (3kg +- 230g) HEADSTOCK 3+3 Dorian shape with 7 ply binding Black color with Gold logo Headstock adjustable one way truss rod 2 ply b/w truss rod cover 10 degree headstock angle NECK 3 pc laminated Mahogany construction '59 style rounded neck profile with headstock valute 0.900" 1st fret neck thickness (22.8mm) 0.980" 12th fret neck thickness (24.9mm) 1 11/16" wide nut (43mm) 12" radius bound Ebony fingerboard (304.8mm) 22 Jumbo 0.114" wide / 0.058" tall nickel silver frets (2.9mm wide / 1.5mm tall) Real Mother of Pearl "Saqqara Bird" Inlay pattern BODY Double carved Dorian body shape 1.5" Mahogany core with 0.600" Maple top (40mm + 15mm) 7... Less

Three Brand New Genuine CTS 450G Series 250K Audio Taper Split Shaft Volume Or Tone Control Pots For Fender Stratocaster and Similar Guitars The brand new 450G Series is CTS's top of the line low torque 10% tolerance pot specifically designed for musical use. Easier to use for volume swells and tone control wah wah effects than the current Genuine Fender CTS pot. More features of the 450G include smoother rotation, low noise construction, proprietary anti static lube, reduced shaft wobble, soli

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ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer - Full Warranty Hughes & Kettner PureTone Head All-tube, 25 w head, pure Class A, single channel, EQ, volume, Growl BRAND NEW Description Determined to create a truly uncluttered amp with point-to-point wiring, we sought to go the shortest distance between guitar and speaker cabinet. Everything else had to go. Forget the master, effects loop and fancy switching frills our no-nonsense blueprint left no room for interpreters that might dilute the message. Just one channel with 3-band EQ, a volume control, and selected superior components thats it. This disciplined approach yielded one of the worlds most responsive and articulate amps. And if you feel the EQ gets in the way, simply dial it out by using the Growl knob. Puretone pumps... Less

Personnel: Richard Fortunato (vocals, guitar); Steve Lagana (vocals, percussion); Brenda Holloway (background vocals). Photographer: Michael O'Bryant. Arrangers: Gene Page; Bill Rinehart.A single self-titled album -- that's what the California power trio Fields left behind in 1969. Guitarist Richard Fortunato, bassist Patrick Burke, and drummer Steven Lagana had been deeply influenced by Cream, by the sound of things. Fields recorded this slab for UNI with producer Bill Rinehart (formerly of Emitt Rhodes' Merry-Go-Round). The first four cuts are solidly in the hard and heavy blues-rock terrain, with twinges of psychedelia tossed in the opening "Elysian Fields" and "Jump on You," two standouts with lots of great guitar work. Things begin to change a bit on "Sun Would Set," where the wasted... Less

Eckart Rahn was a German musician who, after several years working in radio and music publishing, started his own record label, Kuckuck, from the German word for "Cuckoo." While Rahn's first love was jazz, he distributed a wide variety of music on Kuckuck, and the Finders Keepers compilation Cloud Cuckooland features 20 tracks from the Kuckuck archives, drawn from the label's pioneering progressive rock, Krautrock, and electronic releases. Rahn clearly wasn't afraid of musical eccentricity or adventure -- "10 Finger Blind" by Ernst Schultz is a piece performed primarily on a manual typewriter -- and while nothing here reaches the heady heights of Can or Neu!, there's no arguing that what's here is uniformly well-crafted and produced with intelligent clarity. Sam Spence's Moog synthesizer... Less

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Audio Mixer: Peter Katis.Recording information: Albert Studios; Jungle Studios; Oceanic Studio; The Attic Studios, Sydney. Photographer: Pierre Toussaint.Sydney D.I.Y. quartet the Jezabels may have described their sound as "intensindie" in a joking fashion, but it's hard to think of a more appropriate word to summarize their debut album, Prisoner. Produced by Lachlan Mitchell, its 14 tracks are swamped with layer upon layer of pounding organs, reverb-laden guitar hooks, and clattering rhythms, which when combined with frontwoman Hayley Mary's octave-gliding tones, can occasionally leave you reaching for the aspirin. Taken in small doses, there's much to admire here, from the gothic opening title track, which daringly interrupts its cinematic post-rock sound with a surprising bubbling... Less

Personnel: Richard Fortunato (vocals, guitar); Steve Lagana (vocals, percussion); Brenda Holloway (background vocals). Photographer: Michael O'Bryant. Arrangers: Gene Page; Bill Rinehart.A single self-titled album -- that's what the California power trio Fields left behind in 1969. Guitarist Richard Fortunato, bassist Patrick Burke, and drummer Steven Lagana had been deeply influenced by Cream, by the sound of things. Fields recorded this slab for UNI with producer Bill Rinehart (formerly of Emitt Rhodes' Merry-Go-Round). The first four cuts are solidly in the hard and heavy blues-rock terrain, with twinges of psychedelia tossed in the opening "Elysian Fields" and "Jump on You," two standouts with lots of great guitar work. Things begin to change a bit on "Sun Would Set," where the wasted... Less

Sydney D.I.Y. quartet the Jezabels may have described their sound as "intensindie" in a joking fashion, but it's hard to think of a more appropriate word to summarize their debut album, Prisoner. Produced by Lachlan Mitchell, its 14 tracks are swamped with layer upon layer of pounding organs, reverb-laden guitar hooks, and clattering rhythms, which when combined with frontwoman Hayley Mary's octave-gliding tones, can occasionally leave you reaching for the aspirin. Taken in small doses, there's much to admire here, from the gothic opening title track, which daringly interrupts its cinematic post-rock sound with a surprising bubbling synth breakdown, to the claustrophobic Wall of Sound that is "Nobody Nowhere," to the galloping the National-esque alt-rock of "Trycolour." Mary's voice is a... Less

Mellowtone Wolf Computer The Mellowtone Wolf Computer is a silicon fuzz machine that is designed to take your guitar signal and warp into something entirely unrecognizable. With the Bias and Sag controls, you can create a slew of synthy textures that push the limits of what guitars are capable of. The Wolf Computer is great for those nostalgic Atari beeps and blips and lasery stabs that sound more like a power starved gaming console than an instrument. Whatever you decide to create with the Wolf Computer, be prepared to have your face seared off. Mellowtone Wolf Computer True Bypass Switching Controls to adjust the bias of the silicon chips capable of traditional fuzz tones glitchy artifact ridden stuttery possibilities

Caroline Olympia The Caroline Olympia is a painstakingly designed fuzz pedal that pays homage to classic, transistor based fuzz pedals while providing enough tonal versatility for the modern player as well. This bold fuzz pedal has a wide range of tones from chunky rhythm to all out mayhem (in fact the most extreme setting is only recommended for Zeus himself). Not exactly built with finesse in mind, the Caroline Olympia is certainly a fuzz pedal that can please the doom rocker but at the same

Keeler Designs Pull Overdrive The Pull Pedal is a harmonically rich and organic low gain overdrive pedal. The Keeler Designs Pull Pedal will push your favorite single coil guitar into smoky and warm blues and country tones, and add some nice grit and dirt to your humbuckers. This is an incredibly responsive pedal that reacts very well with your guitar's tone and volume control. Leave it on and just work your volume and tone controls for an completely natural sounding overdrive that is right on the mark. This is the perfect pedal for players who just need a bit of grit and warmth to their signal, and provides a nice harmonic overtone to your already established guitar and amp tone. The Keeler Designs Pull Pedal will stack very nicely with other pedals, especially the Keeler Designs Push... Less

Rockett Pedals Flex Drive The Rockett Pedals Flex Drive brings some real dynamics and flexibility to your overdrive sound. The new decade is all about increasing the amount of overdrive tones at your disposal, and with this amazing box from Rockett Pedals, you can have a multitude of overdrive tones at your command. This is a pedal for players who truly enjoy tweaking their sounds and finding that overdrive crunch that swirls and sustains in their brain. This is a very dynamic pedal, and with the variety of tones available, it can sit comfortably in any combination of amplifier and guitar. The main control knobs are the same as many overdrive pedals: volume, gain to control the amount of overdrive, and a tone knob. The key is the mini toggle switches. The Rockett Pedals Flex Drive has a 3... Less

Dwarfcraft Devices Shiva Fuzz The Dwarfcraft Shiva Fuzz is not simply a roaring fuzz pedal. It will give you unexpected and startling octave up fuzz, squelches, squeals, and grinds, as well as sick and profound oscillations. The Shiva is not your typical fuzz pedal. It will produce sounds that no other fuzz, distortion, or reverb pedal can match. The Shiva will provide you with random musical happenings that are outside of the predictable tones of other fuzz pedals. This will give you some face-peeling results that will astonish and make your guts feel completely unsettled and queasy. The Shiva will go from beefy and articulate fuzz for crunching power chords to splatty octave up fuzz tones. The real kicker of the Shiva is its squeals, motorboats, and sub-octave madness that can come out... Less

Earthquaker Devices Chrysalis Overdrive The Earthquaker Devices Chrysalis Overdrive is a 70's era driven "amp in a box" pedal designed to hearken back to the cutting edge tones that made what rock n' roll is today. Based on an all discrete transistor design, the Chrysalis is packed full of Zepplin-y tones and cranked 70's amplifier sounds. Rich harmonics and tasty bite just tumble out of this pedal on any drive setting. While meant to be played loud, the Chrysalis responds to bedroom levels very well when powered at 18v, yielding unsurpassed dynamics and driving midrange that will cut through any mix, any time. Stack it with other pedals or make it play by itself, the Earthquaker Devices Chrysalis Overdrive is a new contender for that classic tone. Earthquaker Devices Chrysalis Overdrive... Less

VFE Triumvirate The VFE Triumvirate is a first in guitar distortion/overdr ive pedals. This unique circuit begins by splitting the guitar signal into three bands (Hi, Mid, Low) via a second-order crossover network. Each band is then sent into its own distortion generation before being mixed back in with the other two at the output. This allows the VFE Triumvirate to give the user total control over the level and saturation of each band for an extremely versatile and usable effect. Using the inte

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